![]() When Matthew isn’t making games or music, he’s enjoying time hanging out with his husband, Vincent. Actions such as weeding, crushing or bottling are relatively small. ![]() Join the cast for more cocktails, heavy hors. ![]() Shakespeare in the Schools performance of As You Like It & talkback. Hundred Days by Kokandy Productions is a moving Dave Kokandy ThinkUp on OpenShift: Easy as Pie by Dave Kokandy Medium Dave Kokandy, Career Advisor for. Cocktails, morsels, & live music at the Black Box Theater. I supervised a staff of nine student paraprofessionals, including. A bigger board means more time, which means you can fit on more tasks. Your ticket includes open seating during the performance, a reception, and two drink tickets. I coordinated day-to-day operation of two single-gender - one male, one female - mixed-year residence halls housing 184 students. Your cards represent tasks you can do, the board represents the amount of time you have to do those tasks. Matthew is currently developing a new musical entitled Star House, and is developing two games: Apocalypse Meow and Divination RPG. Hundred Days is, in essence, a card game. He created music for The Last Defender, an escape room by Cards Against Humanity and the House Theatre of Chicago, where his music direction and performance credits also include The Nutcracker, Verböten, and Hatfield & McCoy. Before discovering Chicago theatre, he released a full-length album and played most of the ‘cool’ (some might say ‘small’) stages in Chicago with his former bands, Voodoo & Valentine and The Live Debate!. His music has been featured in plays, podcasts, an experimental audio book, in short films and in one feature-length zombie horror flick. His work has been called “ exhilarating” and “ glorious,” by print publications and not just his mom. (American Music Theatre Project), Peter and the Starcatcher (Wagon Wheel Theatre), Hundred Days (Kokandy Productions), Legally Blonde (Northwestern. His music direction and stage arrangement skills have been met with rave reviews, often featuring the talents of the multi-instrumentalists Chicago’s vibrant theatre scene produces. Matthew’s music has been featured on Chicago artistic projects and on stages for twenty years. Matthew is a pianist, composer, game designer and educator, as well as the founder and co-curator of The Lab a free monthly workshop for creators. She has previously directed the 2019 iteration of The City Mouse and the Country Mouse and has been seen in The Hundred Dresses (Peggy) and The Snowy Day (Peter).
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